A beautiful gem sparkles just as brightly in a room alone ... but, only when it touches the eye of it's beholder does it bedazzle and enchant.
Similarly, this gem of a tune was intended to sparkle in the production of Farewell, My Lovely ... However, as is often the case, not everything one submits for consideration can be included, leaving it without an ear to behold, potentially enchant, until now.
Here is a recording made at Infinite Loop by two of Alberta's finest jazz musicians Al Muirhead (trumpet) and Sheldon Zandboer (piano). I had the opportunity to have them both in the studio to add their incomparable touch, brilliance, and talents to the prepared score. As part of the session we made this moody interpretation of this classic jazz standard by Richard Rogers and Lorenz Hart.
You see, our private dick Philip Marlowe, hasn't always had the easiest time with things .. as those of us with a few scars to show for all the years know .. things can wear you down .. leave you with the blues ..
This famous tune was intended to help us feel just that .. that melancholy poem .. heard under a foggy street light .. in the formidable, impersonal city .. late at night .. with only the buzz of neon and the drone of a sleeping city for company .. it's tough to put your heart out on the line when you've already felt so much .. crooks, dames, smoking guns, dead ends and crystal balls ..
but there's still hope of solving the case ..
A shadow cast in silhouette, like in an old film noir movie ...